Yvonne Wang is a Singapore-based art writer, curator, and Singapore Desk Editor at ArtAsiaPacific. She writes about contemporary art across Asia through criticism, essays, interviews and curatorial practice.

Her writing has appeared in ArtAsiaPacific, Frieze, The Art Newspaper, Art SG, The Culture Story, Asia Art Archive's IDEAS Journal, and other international publications. She also curates exhibitions, moderates public conversations, and collaborates with museums, galleries and cultural organisations on editorial and curatorial projects.

Recent projects include curating Seeing Through Matter (2025) at Sullivan+Strumpf Singapore and serving as a producer on the documentary Almost Home, selected for the 2026 Hong Kong International Film Festival. She also serves on LASALLE's Industry Advisory Group for Art Histories and Curatorial Practices

She holds an MA in Asian Art Histories from Goldsmiths, University of London, an MSc in Politics and Communication from the London School of Economics, and a BA in Political Science & Philosophy and East Asian Studies. Her writing is grounded in the belief that art reveals its richest meanings through close attention and sustained engagement.